Edmund Clark is an award-winning artist whose work links history, politics and representation. His work traces ideas of shared humanity, otherness and unseen experience through landscape, architecture and the documents, possessions and environments of subjects of political tension. Recent works ‘Negative Publicity: Artefacts of Extraordinary Rendition’, ‘The Mountains of Majeed‘, ‘Guantanamo: If The Light Goes Out’ and ‘Control Order House’ engage with state censorship to explore the hidden experiences and spaces of control and incarceration in the ‘Global War on Terror’. His work has been exhibited widely including major solo museum exhibitions at the Imperial War Museum, London and Zephyr, Reiss-Engelhorn-Museen, Mannheim.